The EPK is the press kit a promoter asks for: bio to copy, photos and logos at full size, riders as PDF, contacts to save, one zip of all of it. You send one link, and every promoter opens the version you saved last.
The programme needs a bio and two photos by Friday. The EPK has them at full size, with the bio under a copy button and the contacts ready to save.
Copy, not download. A promoter wants the words in their paste buffer. The bio sits under a Copy button, the notes under the bio.
Full size, as you uploaded them. A thumbnail opens the file. Each section downloads as a zip; Download all at the top puts everything in one.
Who to write to, and a card to save. Booking, press, management. From your team or typed in. Each with Email, Call and Save contact for the address book.
Today your bio lives in five places and each goes stale on its own. On TAP it lives once. Every promoter who opens the link reads the version you saved last.
Before. Five copies, five dates, nobody sure which one is right.
After. One profile, one link. Edit the artist and the EPK shows it.
A section without content is not shown, so an EPK with no riders has no empty Riders heading. Top to bottom, when everything is filled in:
The EPK reads the artist. Nothing on it is typed twice: the bio, the photos and the contacts are the ones the website and the links page show.
An EPK is for the promoter you send it to. Search engines list it, and your other pages link to it, only when you set it so anyone can find it.
Six steps. A name and one press photo open it; the bio, riders, logos and a contact make it worth sending.
Short answers. The long ones are in the docs.
The EPK, the website, the links page, the music page and verification. No card, no plan, no watermark.
One EPK for every promoter. Bio, photos, riders and contacts, always the version you saved last.